360: GTA IV
TV Series: Lost, A-Team, 60 minutes, American Idol, 24, eastbound and down, 30 Rock

Mad Max

It’s still a mystery to me how this could possibly be considered a well liked movie. Fact remains that I’ve heard quite a lot of people say that it’s a terrific film, which must mean that they’ve either seen a different Mad Max or are completely and utterly insane.

Set in a near future (Thats a low budget near future in 1979 mind you), it tells the story of how a police officer lose his wife and kid when they’re killed by a wacky gang. That might sound okay, but the thing is that nothing happens in the first hour of the movie, and when I say nothing happens I’m totally serious. It stands completely still.

The last 5 minutes are quite cool, but there’s no way in hell that it can make up for the time I’ve lost on this worthless piece of crap.

Now I’ve been told that its supposedly Mad Max 2 thats the good one, but I’m affraid I’m going to have a case of deja vu :(

0.5 out of 5 Georfs

5 Responses to “Mad Max”

  1. wacko Says:

    your just wrong…thats all I can say. WRONG!!!!

  2. Mazy Says:

    Now there it is again! Are you being sarcastic or am I really missing something here? :)

  3. Iceduck Says:

    This is seriously the worst film I have seen in like half a year, which says a lot in these Uwe Boll and superheroine times. The people who really enjoyed this film should stand up for it and explain exactly what is so great about it, because Goose and I are unable to see it. Actually I would just say that this movie is boring, I was so bored during this film that I found it really hard to keep my mind on the storyline (or lack thereof). So please, indulge, let me know what the deal is with this old piece of shit.

  4. wacko Says:

    maybe its just us americans that have a thing for the film but the mad max films are like one of the better set of films ever mad.

  5. Iceduck Says:

    As Goose said, it must be the sequel you mean, because as a stand-alone film Mad Max (1) is a genuine stinker.

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© 2005 Morten Hedegren